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South Korean Court Fines User for Defaming Virtual K-Pop Group

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A South Korean court has imposed a fine of 500,000 won on a social media user for defaming the virtual K-pop boyband, Plave. This ruling marks a significant legal precedent in the country, as it addresses the defamation of entirely virtual performers, represented through motion-capture technology by anonymous actors. The court’s decision follows derogatory remarks made online about the group, which was the subject of a civil suit initiated last year.

The five members of Plave, who debuted in 2023, were targeted in a series of posts during July 2024. According to reports from the Korea Times, the comments included profanity and claims suggesting that the individuals behind the virtual avatars “could be ugly in real life” and exhibited a “typical Korean man vibe.” The defendant contended that the remarks pertained solely to fictional characters rather than the real people voicing them.

In its ruling, the court rejected the defendant’s argument, stating that if an avatar is recognized as representing a real individual, then insults directed at that avatar can be interpreted as personal attacks. Plave’s agency, Vlast, sought damages of 6.5 million won for each member, asserting that the comments inflicted emotional distress. Ultimately, the court awarded a total of 500,000 won, equating to 100,000 won per member, reflecting the nature of the comments and the situation at hand.

Implications for Virtual Idols in South Korea

Vlast has indicated its intention to appeal the court’s decision regarding the compensation amount. The agency argues that the case is pivotal for setting standards on how virtual characters are treated under South Korean law. The outcome could influence future litigation involving digital personas and their representation in media.

Plave has rapidly gained popularity, amassing over one million subscribers on YouTube, showcasing music videos and vlogs. The group has made significant inroads into the mainstream music industry, with their track “Way 4 Luv” nominated for both Best Vocal Performance and Song of the Year at the 2024 MAMA Awards. Additionally, they received a major accolade at this year’s Seoul Music Awards, further establishing their presence in the competitive K-pop landscape.

As virtual idols continue to gain traction in entertainment, the legal framework surrounding their protection and representation is likely to evolve. This case underscores the complexities of navigating the intersection between digital personas and real-world implications, as society adapts to the growing influence of technology in creative fields.

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