Priyanshu Painyuli Explores Dark Themes in Tere Ishk Mein

Priyanshu Painyuli has shared insights into his role in the upcoming film Tere Ishk Mein, starring Dhanush and Kriti Sanon. The film promises a darker and more intense narrative compared to previous works, such as Raanjhanaa. During a recent discussion at the 9th session of Uttarakhand Cinemascape, Painyuli described the unique aspects of the film, his personal connection to the story, and the cinematic potential of his home state, Uttarakhand.

He noted that Uttarakhand has often been portrayed through a limited lens in cinema, particularly focusing on iconic locations like Rishikesh. “The most common… everybody has gone there to shoot Rishikesh,” he explained. Painyuli emphasized the need for filmmakers to explore beyond these popular spots, highlighting hidden gems in the region. “When I went to Harshal — which is a difficult drive, but the most beautiful drive — you see locations you haven’t seen in India otherwise. We should explore these places.”

Painyuli believes that Uttarakhand’s diverse landscapes offer a wealth of visual storytelling opportunities. He remarked, “Uttarakhand’s landscape keeps changing. Every 30 km you can see different ranges… there’s a lot to explore.” He expressed hope that international audiences would begin to recognize the state’s vast visual palette, stating, “The visuals have gone outside and they said, ‘Oh shit, this is India?’”

Reflecting on his involvement in Tere Ishk Mein, Painyuli described being cast in the film as “surreal.” He considers the core team of Aanand L. Rai, Himanshu Sharma, A.R. Rahman, and Dhanush as a dream collaboration. “I have been a big fan of Aanand sir, Himanshu Sharma, Rahman sir… Dhanush, oh my God! I have grown up in Bangalore, I’ve seen all his films like Adukalam.”

The film takes a different approach to love stories, particularly in its portrayal of characters and the setting of Delhi. Painyuli explained, “This time… you should see the way he has depicted Delhi and the Delhi characters — a Tamilian staying in Delhi and how he is a goon in a Delhi college.” The narrative delves into how toxic love can escalate, distinguishing it from the themes explored in Raanjhanaa.

In his role, Painyuli acts as an observer in the central love story between Dhanush and Kriti Sanon. “I am more a viewer of the love story… and I watch my best friend change — from being a violent man to a non-violent man. Which is what happens when you fall in love,” he noted. While acknowledging the archetypal nature of his character, he emphasized the unique palette presented in this film.

Working alongside Dhanush and Kriti Sanon proved to be a rewarding experience for Painyuli. He described Dhanush as approachable and instinctively talented. “He is very easy. He’ll just sit, relax, and come on the shot… he will do something very small, and on the monitor you’re like — my God, that is impacting.” He also praised Kriti Sanon for her humility and dedication, calling her “one of the finest we have in Bollywood.”

The emotional depth of Tere Ishk Mein aligns with Rai’s reputation for intensity in his films. Painyuli recounted moments where he had to push himself to emotional extremes, particularly during a scene involving a confrontation with Dhanush. “There is a drunk scene with Dhanush… when I shout, I shout from the core, from the heart.”

Discussing the challenges of filming in the Himalayan region, Painyuli highlighted the importance of infrastructure and collaboration with local communities. He noted that while Uttarakhand has supportive policies for filmmakers, it is crucial to ensure sustainability during productions. “Crew should not spoil the nature. If we’re shooting in someone’s house, let’s not leave it dirty.”

Painyuli’s directorial debut, Jaagar, reflects his personal journey and connection to Uttarakhand’s culture. The film centers on the traditional ritual of invoking local deities. “Jaagar means Jagna… awakening. The film is about a girl shooting a documentary on Jaagar but actually awakening herself,” he explained. The narrative incorporates local actors and languages, further enriching its authenticity.

The film has garnered interest from industry veterans, including editor Aarti Bajaj and sound designer Kunal Sharma. Painyuli is also collaborating with French composer Mark Marder for the original soundtrack. With aspirations of showcasing the film at international festivals, he mentioned plans to submit it to prestigious events like the Berlin International Film Festival.

Looking ahead, Painyuli confirmed that his film Paan Parda Zarda is nearing completion, with sound work finalized. “Big shows take time… hopefully next year it will come out,” he said. He is also working on an indie project titled Pirates, focused on hacking themes.

When it comes to selecting projects, Painyuli remains open to diverse storytelling opportunities. “I’m never blocked with ‘big banners only’. If anybody has a good story, I’m on — even if they pay less. A film is a film. A story is a story.” He envisions creating a filmmaking ecosystem with his wife, a space for independent filmmakers to collaborate and share their work globally.