Renowned Kannada Novelist S L Bhyrappa Passes Away at 88

The literary world has lost a significant figure with the passing of S L Bhyrappa on October 25, 2023. The acclaimed Kannada novelist, known for his extensive contributions to Indian literature, left an indelible mark on readers and scholars alike. His works, characterized by a melding of myth, philosophy, and history, have captivated audiences across various languages.

Bhyrappa was not only a prolific writer but also a deeply knowledgeable individual with a unique grasp of both Eastern and Western philosophies. His novels, including Parva, Vamshavruksha, and Grihabhanga, are celebrated for their intellectual depth and narrative complexity. These works demonstrate his extensive reading and experiences gained through travel, making him a prominent figure within the middle-class educated demographic in India.

A Journey Through Academia and Literature

By 1972, Bhyrappa was already a well-established name in Kannada literature when he began teaching philosophy at the Regional College of English in Mysuru. He continued in this role until 1991. While some students found his lectures dry, many appreciated his willingness to engage in discussions regarding his research for Parva, which examines the complexities of the Mahabharata. He often shared insights into the historical context of the epic, emphasizing its social dynamics and the polyandrous nature of characters like Draupadi.

His unique approach to storytelling and philosophy resonated with many, although it was not universally embraced. One reader reflected on her initial experience with his novels, stating that while the philosophical discourse initially left her unimpressed, she later recognized the rational perspective in Parva.

Legacy and Controversies

In addition to his fictional works, Bhyrappa’s autobiographical novel Grihabhanga offers a glimpse into his challenging upbringing in a less developed village. His storytelling shines when he allows characters to navigate their lives organically, rather than being confined to philosophical dialogues.

One notable encounter involved a television adaptation of Grihabhanga, directed by Girish Kasaravalli. An actress involved in the production shared her experience of being cast in a significant role due to her dialect, which mirrored that of Bhyrappa’s character. His approval of the portrayal was a highlight for her, showcasing his appreciation for authenticity in storytelling.

During the mid-2000s, Bhyrappa’s literary journey took a controversial turn with the publication of Aavarana, which sparked discussions regarding its perceived anti-Muslim rhetoric. A translator who sought Bhyrappa’s permission to translate Grihabhanga into English eventually abandoned the project due to the backlash surrounding Aavarana. Despite her mixed feelings about his works, she acknowledged Bhyrappa as a towering figure in Kannada literature, whose influence will endure.

Bhyrappa’s passing signals the end of an era in Kannada literature, yet his contributions will continue to inspire future generations of writers and thinkers. His novels remain essential reading for anyone interested in the intersections of culture, philosophy, and history.