AR Rahman Faces Backlash Over ‘Power Shift’ Comments in Bollywood

Oscar-winning composer AR Rahman has ignited controversy with his recent comments regarding a “power shift” in the Hindi film industry. During an interview with the BBC, Rahman suggested that this shift may have impacted his opportunities as a Tamil composer, and he alluded to possible communal dimensions influencing the industry. His remarks have sparked a significant backlash from various quarters, including industry figures and right-wing social media accounts.

Rahman reflected on his experiences in Bollywood, particularly in the 1990s, noting that he had not felt any overt bias during his career. However, he indicated that over the past eight years, “a power shift has happened,” asserting that those who may lack creativity now wield the power to make critical decisions in the industry. He stated, “Maybe God concealed all this from me. I never really felt it.” Furthermore, he expressed that while he had not encountered explicit communal bias, he heard “Chinese whispers” about projects he was initially considered for but subsequently dropped in favor of multiple composers.

The fallout from Rahman’s comments was swift. Kangana Ranaut, a member of the Bharatiya Janata Party (BJP) and a prominent actress, accused him of being “prejudiced and hateful.” She linked his statements to his refusal to work on her directorial venture, Emergency, labeling it a propaganda project. Veteran lyricist and screenwriter Javed Akhtar countered the notion of communal bias, asserting that he had never personally observed such discrimination in Bollywood. “I have never felt [communalisation]. I meet most of the people in Mumbai. They have great respect for him [Rahman],” Akhtar stated.

Singer Shaan echoed Akhtar’s sentiments, emphasizing that religion does not dictate professional opportunities in Hindi cinema. On the other hand, journalist Swati Chaturvedi claimed that Rahman had previously declined to sing patriotic songs like “Maa Tujhe Salaam” and “Vande Mataram,” insinuating that religious beliefs may have influenced his choices, despite Rahman’s past popularity of the latter.

The debate intensified as several right-wing social media accounts accused Rahman of portraying India negatively on international platforms. In response to the mounting criticism, Rahman issued a clarification, stating that his comments had been misunderstood. He expressed his deep connection to India, saying, “India is my inspiration, my teacher and my home.” Rahman further emphasized his commitment to honouring and serving the country through his music, adding, “I feel blessed to be Indian, which enables me to create in a space that allows freedom of expression and celebrates multicultural voices.”

This incident highlights the ongoing complexities and sensitivities surrounding discussions of identity and representation in the Indian film industry. As Rahman navigates the repercussions of his remarks, the conversation continues to evolve, reflecting broader societal tensions.